It cannot be for nothing that a Pope takes the name of Francis. Besides being a reference to another model of being Church, closer to the manger of Bethlehem than to the palaces of Jerusalem, Francis of Assisi posits a theme that is of extreme urgency now: the question of protecting the vitality of planet Earth and guaranteeing the future of our civilization. Exterior ecology alone is insufficient for this purpose. We must amalgamate it with interior ecology. That is what Saint Francis of Assisi did in a pragmatic way.
Exterior ecology is that syntony between the rhythms of nature and the cosmic process that is realized in the dialectic of order-disorder-interaction-new order. This ecology assures the perpetuity of the process of evolution that includes the Earth and her biodiversity. But at the human level, it only occurs if there is a counter-weight from our side, one which derives from our interior ecology. Through that interior ecology, the universe and all its beings are within us, in the form of symbols that speak of the archetypes that guide us and of the images that inhabit our inwardness, and with which we must constantly dialogue and integrate. External violence is a sign of turbulence in our interior ecology, and vice versa. We do not know how to harmonize the ecologies described by Pierre-Felix Guattari and by myself: the environmental, social, mental and integral ecology.
In his Song of Brother Sun, Saint Francis reveals the fellowship of these two ecologies. His extraordinary spiritual accomplishment was to reconcile the world with God, heaven with Earth, and life with death. To understand this spiritual experience we must read the text at a level beyond its words, and delve down to the symbolic level, where the song of the elements is pregnant with emotion and meaning. The existential context is meaningful: Francis was very ill and almost blind, cared for by Saint Clare of Assisi in the chapel of San Damiano where she lived with her sisters. Suddenly, in the middle of the night, he had a sort of exaltation of the spirit, as if he were already in the Kingdom of heavens. Radiant with happiness, he stands up, composes a hymn to all creatures and sings it with his brothers and sisters. He celebrates the great nuptials of the "Lord Brother Sun" and the "Woman Sister Earth". Of this union are born all beings, arranged in pairs, masculine and feminine, that according C.G. Jung, constitute the most universal archetype of the psychic totality: sun-moon, wind-water, fire-earth; a totality he reached in his spiritual journey.
The hymn contains two more stanzas, added by the Poverello. They no longer sing of the material cosmos, but the human cosmos that also seeks reconciliation: between the bishop and the major of Assisi. Finally he reconciles with sister death, the most difficult complexity to be integrated into human psychic framework. The human being reconciles himself with another human being. Life embraces death as a sister, the carrier of eternity.
The interior ecology integrated with the exterior ecology, find a privileged interpreter in Francis. Francis of Assisi is like a fine chord of the universe in which the most subtle musical note resounds and can be heard.
Our culture is indebted to the father of Saint Francis, Pedro Bernardone, a rich fabric merchant in search of wealth and splendor. As the great British historian Arnold Toynbee confesses: «Francis, the greatest man of the West, must be imitated by all of us, because his attitude is the only one that can save the Earth» (Diario ABC, Madrid, 19/12/1972,10).
What is our ideal? The one inspired by Francis of Assisi. That Francis of Rome is converted, by his humility, poverty and joviality, into a lover of Mother Earth and defender of all forms of life, especially of the most threatened, the life of the poor. And that he inspires that consciousness in humanity. Francis of Rome has all the charisma needed for him to become a beacon of ecological and humanitarian reference for all the world.
– Leonardo Boff, Theologian-Philosopher / Earthcharter Commission
Free translation from the Spanish sent by Melina Alfaro, done at REFUGIO DEL RIO GRANDE, Texas, EE.UU.